Join our new Literary Lounge Book Club where we'll meet in-person every other month on the last Thursday from 10-11am in the Library's Classroom. This book group will focus on reading literary fiction titles.  If you have any questions you can email amiller@noblenet.org.

What is literary fiction?

“Literary Fiction” Definition

The category of Literary Fiction is quite fluid and for the last few decades has easily overlapped with any number of genres. Even though its definition is a broad target, Literary Fiction definitely has characteristics of its own.

Whereas genre fiction from Romance to Dystopian Horror is plot-driven, Literary Fiction is character-driven. Any action in the story impacts the main character or characters, and understanding this impact is the whole point of telling the story. The overall tone of the book is introspective. Literary Fiction, then, is always a study of the human condition and often an exploration of difficult social or political issues that control our lives. For this reason, it’s generally considered more “serious” than genre fiction.

Another way to recognize Literary Fiction is by its story structure. Unlike, say, Thrillers or Science Fiction, Literary Fiction doesn’t follow a formula. A story arc may or may not be present, which also means that a satisfying ending is no guarantee. The line between hero and villain is often blurry, as is what they are trying to accomplish. And without a tidy plot to spell out every character’s motive, intangible details — metaphor, symbolism, or imagery, for example — play a larger role in telling the story. (Celadon Books)

This month we will be discussing Shuggie Bain by Douglas Stuart.  Copies will be available at our circulation desk.  You can also find copies online through our NOBLE catalog (Regular Print, Large Print or CD Audiobook) or electronic copies through Overdrive or Libby (E-book orE-audio).

About the Book: 

"Shuggie Bain is the unforgettable story of young Hugh “Shuggie” Bain, a sweet and lonely boy who spends his 1980s childhood in run-down public housing in Glasgow, Scotland. Thatcher’s policies have put husbands and sons out of work, and the city’s notorious drugs epidemic is waiting in the wings.

Shuggie’s mother Agnes walks a wayward path: she is Shuggie’s guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good—her beehive, make-up, and pearly-white false teeth offer a glamorous image of a Glaswegian Elizabeth Taylor. But under the surface, Agnes finds increasing solace in drink, and she drains away the lion’s share of each week’s benefits—all the family has to live on—on cans of extra-strong lager hidden in handbags and poured into tea mugs. Agnes’s older children find their own ways to get a safe distance from their mother, abandoning Shuggie to care for her as she swings between alcoholic binges and sobriety. Shuggie is meanwhile struggling to somehow become the normal boy he desperately longs to be, but everyone has realized that he is “no right,” a boy with a secret that all but him can see. Agnes is supportive of her son, but her addiction has the power to eclipse everyone close to her—even her beloved Shuggie.

A heartbreaking story of addiction, sexuality, and love, Shuggie Bain is an epic portrayal of a working-class family that is rarely seen in fiction. Recalling the work of Édouard Louis, Alan Hollinghurst, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist who has a powerful and important story to tell." (Amazon)